Small Press Month 2008

Small Press Month 2008Tomorrow kicks off the 12th year of Small Press Month, highlighting and featuring the smaller fish in the huge ocean of publishing. So let’s hear it for the folks still doing it for the love of it and loving what they sell. Don’t get me wrong, it is still about money and making a living, but there’s something almost perfect about a job that is built around creating and pushing products, you believe in and that you know contribute something to society. It’s about quality… not just appealing to the lowest common denominator.

In So Many Books (which should be required reading for anyone thinking about publishing, Gabriel Zaid notes:

“If not a single book were published from this moment on, it would still take 250,000 years for us to acquaint ourselves with those books already written.”

“Maybe the measure of our reading should therefore be, not the number of books we’ve read, but the state in which they leave us. . . whether the street and the clouds and the existence of others mean anything to us; whether reading makes us, physically, more alive”

Take that you multi-national conglomerates! You get the other 11 months… this one belongs to readers and smaller publishers alike.

Type awards

If you don’t enjoy typography or type geekery discussion, please move along, there’s nothing to see here.

Since the Quills are no more, I am going to spend my “award show tracking energy” to keeping up with the Type Directors Club annual competition. I have to say that I am in 100% agreement with the Superfamily winners this year! Awesome. Though I’m not a fan of the Display category winner, but then display fonts never really rank that high with me. And I am really digging the lowercase ‘y’ of Fondo.

I am, however, going to have to find a way to justify purchasing Tiina, just so I can use the italic face. Mmmmm, mmmm… that is one great slant!

{via ILT}

the future of the “classics”

Public Domain Reprints is a brand-spanking new non-profit has streamlined the next evolutionary step in book publishing. Basically you surf the net for any public domain title. The site says they have some 2 million books ready to print.

Once you have found your book, you submit it to Public Domain Reprints and they handle the hassle of submitting, typesetting, etc. with some online service like LuLu.com. Then you get your book, at cost (plus a $1 fee),in the mail. That’s it.

The cost “classic editions” is about to plummit. The only real value a publisher can now add to a book that’s been around forever is text design and cover design (though some may think a new ‘foreword’ or ‘introduction’ would be of value) . So it’ll be interesting to see what that is worth.

Would someone pay extra to have a better designed book? Or when it comes to the printing of the oldies, is it just the content (at the cheapest price) that they are after?

{via blogoscoped}

Many mini-books

While writing a previous post about a local book release party for Susannah Felts’ debut novel, I got sucked into her publisher’s site and found this rather cool, yet simple marketing tool.

howto.jpg

Basically, they take a few excerpts and type set them onto letter size pages, for you to freely print out, from their site. Then, following the numbers, you fold it all up and have a little mini-book with cover and all.

Books, Publishing and Birmingham