Category Archives: Book Reviews

2023 is Off to a Good Start

Things are still a tad chilly, wet, and gray, but I’ve bagged a few great reads at the start of 2023.  Here are a few short reviews as I’d love the chance to chat with folks about any of these books.

River of the Gods by Candice Millard.

Jacket design by John Fontana

This book is a straight-up history of the search for the source of the Grey Nile portion of the Nile River. River of the Gods is one of those books I would never have picked up had it not been selected as a book club pick. In less skilled hands (which many history books suffer under), this would have been bone dry and b-o-r-I-n-g. Still, Millard did a masterful job weaving in the characters, the political and social climate of the times, and the expeditionary journeys. It was time well spent. I give it 3 out of 5 stars.

This Isn’t Going to End Well: the True Story of a Man I Thought I Knew by Daniel Wallace. 

Nothing I’ve read online about this book has done this one justice. Coming out in April 11, 2023, Wallace’s book is a unique first-hand account and dive into what it means when we find out those we love, learn from, and share life with, are flawed and have real struggles of their own. 

Cover design by Steve Godwin

Up front, Wallace shares that his brother-in-law William Nealy committed suicide. The rest of the book explores the lives, the stories, and the conditions that were to this tragic event. Much of This Isn’t Going to End Well is set in Birmingham, AL. Nealy was an artist, author, handyman, paddling instructor, and adrenaline junkie. He was a master of everything he attempted. Memoirs are pretty standard. People using primary source materials in writing about others is pretty standard. 

But, finding a memoir that tackles some of the most challenging topics, filled with the primary source material, plus having first-hand knowledge of the subject AND being in the skilled wordsmith-y hands of an author like Daniel Wallace is unheard of. 

This book is a fast read. It hits you in the head and the heart. Sometimes at the same time. Throughout this rollercoaster the book shows off some of Nealy’s more famous as well as lesser known comic illustrations.

This book is for you if you like Hollywood memoirs about larger-than-life folks. If you enjoyed Big Fish, this book is for you. This book is for you if you enjoy reading about creative people, art, and the creative process. If you now live in or lived in Birmingham, AL, in the 1980s-2000s, this book should be required reading. 

It’s my first 5-star read of 2023, and I can’t wait to be able to talk with other local folks about this book. 

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin 

Zevin’s newest novel Tomorrow and Tomorrow and Tomorrow was an entertaining read. The cover is excellent, and the story lives up to the hype. The story follows some college buddies who code a video game together and build a gaming company. Zevin (The Storied Life of AJ Fickry) creates some characters here that are so fun to follow. Their conversations are sincere, and with some much love and closeness, their losses feel natural to the reader as well. The whole story is dripping with techie talk and retro video game references. So all that was fun for someone my age. 

Cover design by John Gall

This book scratches the same itch as Michael Chabon’s The Amazing Adventures of Kavalier & Clay, combined with the charm of Ernest Cline’s Ready Player One—lots of fun. It is definitely worth picking up. This is a 4 out of 5 stars read.

How about you? Have you read anything worth recommending lately?

How the South Won the Civil War – A BOOK REVIEW

How the South Won the Civil War presents an answer to a singular question – how is it that the hateful thinking and racist political motivations of the Civil War-era South are still around? History professor Heather Cox Richardson does a wonderful job in presenting an answer and helps shed light on many forgotten events, people and politics. Many history books (trying to present a new slant or case) wind up being too academic. Too stuffy. People won’t want to read them. This history book isn’t one of those. There is a mastery to the logic and sources that Richardson presents and the writing is compelling and well done (and at only 272 pages, many of which are citations and sources, it’s totally manageable).

book cover for How the South Won the Civil War
The cover design was done by Kathleen Lynch.

No spoilers here, but in How the South Won the Civil War: Oligarchy, Democracy, and the Continuing Fight for the Soul of America Richardson shows, that just as the post-Civil War South was failing, those still waving the Confederate flag found a new home for their thoughts and beliefs – out West.

The premise is that the genteel individualism/states rights thinking of the South was easily transplanted and fit nicely with the narrative of rugged individualism and manifest destiny that the West was using to fuel its growth. So the picture book illustration of the rugged cotton farmer being the backbone of the U.S. became the illustration of a rugged cowboy surviving on his own and protecting what’s his.

So while both pictures touted things like family, strength and individualism, in practice they were both built upon a foundation of slavery, racism and taking things from “the other”. Richardson’s argument was a new one to me and there is plenty to think about.

How the South Won the Civil War starts way back at our country’s founding showing (again, in practice) how the “ultimate paradox” was present in forming our country. It’s the whole “All men are created equal” being written by a slave owner argument. The policies and legislation made up through the Kansas Act, Red Summer after WWII, the politics of the late 1960’s through the 1980’s, etc. allowed for this paradoxical thread to weave in and out and continue up to the most recent presidential election.

And that’s one thing I appreciated about what Richardson has created. It’s not just an origin story. It’s not just a snapshot. Using very conversational language and plenty of sources, she is able to show that what happened hundreds of years ago created a nation with race-issues and ideologies that we are seeing play out today.

It doesn’t matter your background, your current politics or your opinion on how things are going in our country. This book is one you should read. It’s a healthy conversation to be a part of. Whether you agree, disagree or just have tons of questions, it’s a book that will have you underlining and scribbling in the margins.

I am giving this book 3 out 5 stars and recommend it to anyone who enjoys history books or finds themself having difficult conversations about what’s happening in the U.S. these days.

The Address Book – a book review

The Address Book: What Street Addresses Reveal About Identity, Race, Wealth, and Power by Deidra Mask (published by Macmillan) is a story-filled and thought provoking book in the vein of Bill Bryson, Mary Roach, and Henry Petroski. Mask puts the very familiar road signs, house numbers, street names, city planning, etc., not just under the magnifying glass, but under the microscope. I was constantly surprised at ‘why things are the way they are and how they got that way’. (I was also surprise just how vulgar some street names are, once you hear their backstory and origins.) Wow.

There are many highlights in the book. But one of the most impressive is how Mask’s ability to connect dots and reveal how relevant history and decisions made generations ago affect our neighborhoods and political decisions today.

The cover of The Address Book was designed by Jonathan Bush.

The Address Book addresses far flung topics, political issues, race relations, and biology, illustrating how our sense of place ties into our brain’s memories of places and the development of the hippocampus or relating tales of how streets got their names, it all seems relevant to us today.

There’s a balance to be struck in addressing, which seems kind of weird to say. But if one has an address then they can vote, participate in local events, have medicines delivered. It is an identity. It is empowering. And being given an address is invaluable to many people struggling in slums and the poorest areas of the planet.

At the same time, once you have an address, some feel dehumanized and that they’re “just a number”. Plus, now the government can track you. They can show up on your doorstep if they don’t like what you’re saying or doing. It’s also a good way for them to reinforce their rule. Some of the stories of dictators changing street names every time power changes hands to “literally put words in your mouth”, so you have to say Hitler Avenue or something like that. Lots of mind games at the street level have been played over the centuries.

Throughout the book there are fascinating tid-bits and stories showing the impact of addressing systems, such as how Mozart got his mail, the millions of dollars some in New York City will pay to have a specific address, the story behind the founding of Philadelphia, and how Washington D.C. got it’s street names. So many interesting talk about stories in this book.

Deidra Mask

Mask does a great job relating her story as she explores and digs deeper. The Address Book isn’t some stale history book. There are people doing things now and these things matter as they can bake in systemic problems or promote growth and unity.

I was very surprised and pleased to learn just how many ‘new ways to address locations’ are under development. Lots of new tech and ways of thinking about our societies and Mask touches on some of the movements briefly, like what3words, and helps highlight the pros and cons.

Which brings me to the highest praise I can give a book. While The Address Book did not feel designed to ‘plant a flag’ or ‘rally the troops’ (it’s a much more fair and balanced book than that), it was a tipping point for me to get involved.

During the first third of the book you’ll read about the Missing Maps group. Think Wikipedia, but for giving addresses to those who need them most and providing accurate maps to health care workers and humanitarian organizations. It’s amazing what a bunch of random folks sitting around with laptops can do. So I signed up! I haven’t attended a mapping party (they’re all over Europe/Britain), but I’ve done a few stints of tracing in Open Street Maps. Pretty cool.

I found The Address Book to be a fast read and while there were a few areas I would’ve enjoyed diving deeper on, the book doesn’t blow anything out of proportion. Which I very much appreciate. It’s full of cultural geographers, historians, epidemiologists, and first hand interviews plus the author’s own experience and thoughts.

This book was sent to me as an advanced galley (with no expectation of review). But I really enjoyed it and I give The Address Book 5 out 5 stars and have been recommending this book to just about everyone. It’s a well done and informative read about something so many of us are privileged enough to take for granted.

Book Review: White Tears by Hari Kunzru

Hari Kunzru’s newest novel White Tears follows a couple privileged hipster college-educated white boys as they try to chase down, record and sell authentic black music from the dawn of the blues era. But what starts out as a snarky take on cultural appropriation and the current music scene in the U.S., ends up taking a dark turn down into the pits of American segregationist history.

For all of the beauty and fresh authentic sounds the American blues brings us, we forget why it’s called the “blues”. The stories, horrors and ghosts that gave birth to all the haunting words and rhythms were real. And it was bad.

Kunzru’s story zips back and forth through time, pulling on threads and connecting dots between the pain that birthed the blues, music laws, the 1960’s music industry and the “only vinyl will do” trends of the current decade.

I enjoyed the beginning of the book and the writing is solid. I wasn’t expecting the honest-to-goodness ghost story that crept up to help drive home the point of cultural appropriation and entitlement, but I have an appreciation for why and how Kunzru did this. Sometimes we just don’t know what we’re messing with and should just leave it alone.

It’s good to stop while reading this book and think about how the ideas are playing out “for real” in the story. It’s easy to forget the sting of all those ideas and themes, once the story starts chugging along and characters start dying and disappearing mysteriously.

I have to admit I’m a sucker for a well done all-type book cover and White Tears does look good (it’s another great one by the modern dust jacket master Peter Mendelsund) face out. Overall, I give White Tears a 3 out of 5 stars.