In 1860, Édouard-Léon Scott de Martinville was a typesetter (and possibly a bookseller) in Paris. He also liked to tinker, which lead him down the path of making the world’s first audio recording, using his printing tools and knowledge.
Printing and imprinting is something Scott understood very well. Capturing the song in 10 second visually-printed snippets must not have been too difficult, once he figured it out. The problem was he didn’t know how to play back what he’d recorded!
This scenario doesn’t sound too different from today as people in the music, movie, book, web and mobile fields are crossing lines, mashing up tools and pushing boundaries to make new books and products. I just think it’s neat that the first audio recording ever made was actually printed on paper.
No doubt it’s going to get crowded fast. But it’s a great idea.
There are also two new FREE iOS apps for font and type geeks:
Fontli, has an Instagram-feel, and is trying to build a social network around fonts. The idea being that you could submit a snap shot of some type and your virtual rolodex of font-ish friends could help you identify it. Also, there is…
Fontmaker, which lets you create your own font variations to use in text messaging and emails sent from your mobile device. Not super-useful, but I could see where some would get a kick out of throwing in some random ligatures and letter forms.
This is Economics 101. While two big monolith companies duke it out over readers’ attention and try to one-up each other on price… the consumer wins. For the short term anyway. The long term game is a whole other sport, which is why Amazon and Google are paying so much attention to books this week. Competition is a good thing.
Apple announced a new iPad today, available March 16th. Prices start at $499 for wifi-only and $629 for 4G model. But does any of this matter for book readers? As a reader, it’s not enough for me to update my first-gen iPad, but let me tell you why publishers should be very excited about the capabilities of Apple’s new device:
Hi-res screen: I mean VERY high-resolution. It’s first tablet that actually rivals print when it comes to resolution. I work for a travel publisher and we’ve always had issues with our maps on eReaders. Print books have always been better. No eReader device could rival the detail of a paper book. And that matters when you are looking at maps, topo lines and map keys. Well now there is a device that can support the level of detail and zoom book readers need and deserve.
4G connection speed: Again I am looking at this from a travel publishing perspective. This over-the-air speed is capable (but not very likely while you are out and about) of being faster than some hom wifi connections. That’s huge for publishers pushing content to book readers as they move about. Expecially for travel publishers selling updates and maps as readers are out on their adventures.
Battery life: It’s nine hours with the 4G turned on. That’s a long road trip or a hike from sun-up to sundown. That’s a lot of reading and book referencing. Our customers/users/readers need to be happy, whether on a digital device or holding the print product. Big battery life is a step in this direction.
If publishers are doing their jobs the put A LOT of work into making unique quality content. It’s nice when device makers do their best to support this content. Now, having said all that, there are still many issues I have with reading non-fiction on eReaders. I’ll have to post about that later this week.
Printing and imprinting is something Scott understood very well. Capturing the song in 10 second visually-printed snippets must not have been too difficult, once he figured it out. The problem was he didn’t know how to play back what he’d recorded!
