Category Archives: Book Design

Font finds

Through an amazing web of links and referals I wound up at an old thread on Cameron Moll’s blog from August of last year.

The subject of the post is “Typefaces no one gets fired for using”. If you’re in the market for new fonts or some variations on some old favorites, check out all of the recommendations left by the commentors. Lots of good rec’s.

Of course, it’s almost as fun to guess what kind of project these folks must be working on to recommend some of the more “display” (i.e. outlandish) fonts.

Score!

In an effort to save money and whittle down my “to be read” pile I have seriously curtailed my book buying this year. So far I’m doing pretty good. But today my willpower broke when I ran across a copy of Stefan Salter’s “From Cover to Cover”!

Yes, he’s one of THE Salter brothers. Though not as prolific as his older brother George, Stefan did hold his own as a book/book cover designer. This is a collection of some of his thoughts and opinions on design and publishing in general. Penned back in 1969 it’s sure to offer some unique insights.

I can’t wait to get that one started.

“Distinction is the key…”

Wise words that I need to remember. I just finished reading an 2006 interview with Paul Buckley, Art Director at Penguin. He said they crank out 600 covers a year! I can’t imagine the scheduling nightmares they must have.
Buckley spoke directly to something I struggle with with every title:

“…tend to flood the market with books that have huge, foil-embossed type, and instead of these getting your attention, they actually fade into a sea of sameness – or if they do catch your attention, you might feel like you are being yelled at in some cheap, aggressive way. Certainly typography is a beautiful medium and large type can be gorgeous, but there are so few books out there that achieve this…”

“That’s why distinction is key, and not big type.”

It’s so easy to just make the type big and hardline the contrast. It makes the authors happy and marketing happy and it “pops”. But it’s amazing how small and faded that same cover appears when you’re in the store looking at it amongst the competition.

By the way, I stumbled upon the above interview while trying to catch up on a couple of the Flickr groups I like, Magic City, Typography and Lettering and Book Design, when I chased a rabbit that led to the article.

The Most Beautiful Book in the World

This upcoming Friday, Irma Boom will accept the award for “The Most Beautiful Book in the World” at the Lepzig Book Fair. It’s for Sheila Hicks: Weaving as Metaphor, that Boom designed last year.

Here is a fantastic article that ran this weekend about Boom and her work. I want to call Boom up and find out exactly, word for word, what she says to convince publishers to go these “unorthodox” routes. Because I fail miserably every time I try.

Maybe forwarding that article to every publisher I have ever worked for would be a goo dfirst step… What publisher wouldn’t want to be known for having “The Most Beautiful Book in the World”?