Category Archives: Book Talk

Uncle Tom’s Cabin in Alabama

Today in 1851, Uncle Tom’s Cabin, by Harriet Beecher Stowe, was first published in The National Era newspaper.

It continued to run in the newspaper for the next 11 months, a few chapters at a time, helping people understand the evil of slavery until the columns were collected and published in book form on March 20, 1852. (Here’s a link to get a copy from Project Gutenberg.)

Title page from first paperback copy.

Once Stowe’s story was published as a book it helped the antislavery movement ramp up. It sold very well throughout the country, with reports of it selling 50,000 copies in the first six weeks. (If you are into stories from the history of publishing here is a amazingly detailed account of what it took to bring this book to print.)

This a great historical account of the power of books. One we need to remember here in Alabama, because in 1856, the South’s largest bookstore was in Mobile, Alabama…

Strickland & Co., had been in business at the corner of Dauphin Street and Water Street for many years when the local Vigilance Committee (a legal group of locals charged with squashing antislavery efforts) nabbed the bookshop’s two owners and drilled them about their books.

text from old newspaper
The story was even reported on by the NY Times.

It turns out they were guilty of selling a single copy of Frederick Douglass’ Autographs of Freedom as well as having had 50 copies of Stowe’s Uncle Tom’s Cabin on hand. The booksellers were told they were “…“dangerous to the community” and that, unless they and their families left within five days, their safety could not be guaranteed.” There is a good write-up with even more details here in The Mobile Bay magazine. The Vigilance Committee was publicly praised by government officials and local media for running the booksellers out of town and closing down the bookstore. 

It was gross. We should all be embarrassed by this incident. But, sadly, it’s not too far from where we are these days with Alabama voting districts being redrawn and funding being pulled from Alabama libraries over book banning.

It is gross, and we should all be embarrassed. 

All that to say if you are around the Birmingham, AL area, then check out the Read Freely Alabama group and keep up with the events and news they share. It’s important.

*Also, buy books. Read physical books. Have them at home. Digital books are fine (I did link to Project Gutenberg earlier). It’s just that digital media be deleted/changed/tracked in a way that a printed book cannot. It’s happened before (most famously in 2009) and just like the attack on that Mobile bookstore and libraries today, it will happen again. These stories need to be protected and remembered so we can do better. 

“Screen People” by Megan Garber

I finished this Megan Garber’s Screen People last night and wanted to type up a quick review.

Screen People cover

If you know the names Marshall McLuhan and Neil Postman then you can probably skip this one. If you don’t recognize those names then the first couple of chapters of Garber’s “Screen People” will feel like fresh air to you (and then skip to the last few).

The chapters of the book are named after parts of a tv show or movie and the metaphor doesn’t really carry through, the middle, very well. While I 100% agree with what the book asserts (tech issues, Trump, toxicity, media diets, etc.) it just lacked some clarity and AN INDEX, PLEASE! That was my biggest gripe – for all this effort and event citations and science paper quoting – we needed an index and bibliography. I did lots of underlining and I’m already on board with where Garber is writing from. I just want to be able to look up these bills, hearings, books, news events, and science papers to do more digging.

Screen People TOC

All the usual suspected are here with the politics, miopic tech leaders, QANON, etc. and Garber does a good job early on showing how our current networks and technology enable and help all those bad actors.

“Social media is a mini narcissism engine.”
“Americans often talk about ‘the algorithms’ in the same rough ways that ancient people used to describe their gods…”

Screen People mentions lots of bad things right alongside the word “platforms”, but never connects the dots & doesn’t offer much in the way of solutions either. I am bumping it up to a 3/5 because I absolutely agree with the subtitle How We Entertained Ourselves into a State of Emergency. That is indeed spot on. 

Kathleen Schmidt Interview with Books-A-Million CEO Terry Finley

Here’s an interview with the CEO of Birmingham/Homewood-based bookstore chain Books-A-Million, Terry Finley. Finley (Instagram) has been in bookselling for 50 years. Schmidt’s Publishing Confidential newsletter is book and publishing focused and always an interesting read.

BAM is an interesting company due to its larger size and regional approach to operations. They have stores in 32 states and have recently opened a large and well laid out shop in Bloomington, MN. The Twin Cities are an amazingly bookish part of the country and I’m excited to see how this new store shapes up.

The front of BAM in Bloomington, MN

Here are a few more photos I took, inside their new store, on a recent visit this year. The aisle layout was fun and added to the book discovery journey. There are so many books there!

A couple of the interview questions I found really interesting shine a spotlight on how Books-A-Million approaches books vs. entertainment vs. lifestyle items, as well as how Dungeon Crawler Carl (published in August 2024; these covers are great fun!) became their 2025 Book of the Year. I’m also really curious about the in-store AI Search tools as I have not seen that in action yet. I may have to go to BAM with a question for an associate to see how and how well that works.

Schmidt’s interview is worth a read for a glimpse behind the curtain at Books-A-Million.

Understanding Comics by Scott McCloud

cover of understanding comics

I recently read Scott McCloud’s Understanding Comics, and I was blown away. This book came out in 1993, and I know that makes me really late to the party, as I’ve seen this recommended quite a few times, but I’ve never stopped to read. Joe Crawford threw this title out as the November 2025 IndieWeb Book Club read, and I’m so glad I joined in (both because I enjoyed the book and I am thankful for the chance to try out webmentions, which is also new to me).

McCloud does a masterful job of explaining how and why comics work so well when it comes to storytelling.

He dives into the way our brains work, how culture affects what we perceive, and the physical restraints of the medium. He spends time explaining the difference between a cartoon, comics, icons, illustrative art, etc. He shows how commercial and artistic interests sometimes push and sometimes hinder development.

He dedicates whole chapters to time, color, and spatial perception.

All of this is so well done, there were times I was wondering if this book needed to be on my books about books shelf or my media philosophy shelf. 

While there are many takeaways that will stay with you and are worth ruminating on, it was Chapter Three – Blood in the Gutter, when he explains the concept of ‘Closure’, that I knew I was hooked. He boils down some big ideas and simplifies things so you understand the complexity of what happens in your brain when you read a panel of a comic and then read the following rectangle panel next to it, essentially skipping the small white space (called the gutter) separating the two. 

A great way to illustrate and explain the idea of “closure”.
So much can happen in the gutter between two panels. McCloud breaks down the six most common.

McCloud then goes on to demonstrate how storytellers can use that gutter to connect action and get your brain involved in the storytelling. It’s so well done.

His explanations of why different levels of detail/realism in a comic directly influence how much the reader will immerse themselves into a story were amazing and something I haven’t quit thinking about.

I now see that I’ve only looked at the surface of comics and not considered the other layers involved, which just makes one appreciate the form even more.

McCloud also excels at plotting different ideas and formulas when it comes to types of comics and illustrated storytelling. While I don’t know enough to call this book a masterclass, it is certainly one of the best any casual reader could pick up. His book Understanding Comics is to comics as baking shows are to cakes. You really start to understand the vocabulary, see how all the pieces work together, and why. And you have a blast while learning all this.

I highly recommend this one to almost everybody. It’s one of the few 5-star reads I had this year. Contrary to what I’ve always thought, this is not just folks who get comics and “are into it”, but anyone who likes books and thinks about storytelling in any form (even reports at work where you have to present things sequentially). This book really does open things up.

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As I stated at the top, the fact that I read this book is a celebration of the cool parts of the IndieWeb. I am posting this using something called webmentions, which is new to me, and I am anxious to see how these notifications, pings, and conversations happen.