Score!

In an effort to save money and whittle down my “to be read” pile I have seriously curtailed my book buying this year. So far I’m doing pretty good. But today my willpower broke when I ran across a copy of Stefan Salter’s “From Cover to Cover”!

Yes, he’s one of THE Salter brothers. Though not as prolific as his older brother George, Stefan did hold his own as a book/book cover designer. This is a collection of some of his thoughts and opinions on design and publishing in general. Penned back in 1969 it’s sure to offer some unique insights.

I can’t wait to get that one started.

Book give-a-way

You have today and tomorrow to put your name in the hat to win over at Reading Matter’s latest contest.

I pass that along because 1. it’s a fun blog to keep up with and 2. I’m a fan of this specific contest’s “subject”. You are simply to list the title of a fictionalized account of some real-world historical figure or person. I’ve always enjoyed reading these kinds of books and have added two title to my wish list, just based on comments.

By the way, if you win then you get a copy of Heather Rose’s The Butterfly Man, currently only available in Australia and New Zealand.

“Distinction is the key…”

Wise words that I need to remember. I just finished reading an 2006 interview with Paul Buckley, Art Director at Penguin. He said they crank out 600 covers a year! I can’t imagine the scheduling nightmares they must have.
Buckley spoke directly to something I struggle with with every title:

“…tend to flood the market with books that have huge, foil-embossed type, and instead of these getting your attention, they actually fade into a sea of sameness – or if they do catch your attention, you might feel like you are being yelled at in some cheap, aggressive way. Certainly typography is a beautiful medium and large type can be gorgeous, but there are so few books out there that achieve this…”

“That’s why distinction is key, and not big type.”

It’s so easy to just make the type big and hardline the contrast. It makes the authors happy and marketing happy and it “pops”. But it’s amazing how small and faded that same cover appears when you’re in the store looking at it amongst the competition.

By the way, I stumbled upon the above interview while trying to catch up on a couple of the Flickr groups I like, Magic City, Typography and Lettering and Book Design, when I chased a rabbit that led to the article.

Reed’s new digs

Jim Reed’s Book Loft has moved from its historic loft space on 1st Avenue South over to 3rd Avenue North. Jim is cramming as much as he can into the first floor of the O’Neill building. It’s a smaller space, but I have to say that you can see more books now. The “shotgun” design of the shop allows for LOTS of bookshelves.

Some might miss the sense of adventure the old loft and all its nooks and crannies created, but those of us stopping by on our lunch breaks do appreciate the new found organization and space.

I posted a few pics here on Flickr. You can tell they’re still moving in (or if you remember the old shop, maybe you can’t).
Here’s a few from the old loft space taken by another Birminghamster some time ago.

Books, Publishing and Birmingham