NONFICTION NOVEMBER 2025 WEEK 3

This week’s Nonfiction November festivities are being hosted over on Liz’s site Adventures in reading, running, and working from home, with the prompt being:

Book Pairings: This week, pair up a nonfiction book with a fiction title. Maybe it’s a historical novel and the real history in a nonfiction version, or a memoir and a novel, or a fiction book you’ve read, and you would like recommendations for background reading. Or maybe it’s just two books you feel have a link, whatever they might be. You can be as creative as you like!”

This week’s challenge was fun because both of these books are fun as they revolve around the world inhabited by obituary writers. The novel, I See You Called in Dead by John Kenney, is a new one that came out this year, and the nonfiction I matched with it is the amazing 2006 book The Dead Beat by Marilyn Johnson.

one blue book cover and one tan book cover on a wood table

Kenney’s I See You Called in Dead starts off so quickly with a bunch of things happening in the first 30 pages. Here’s the setup: a tired and ready-to-give-up obituary writer has a night of drunken weakness (dwelling on his ex-wife’s current life without him) where he logs into his work network and writes an amazingly humorous and lie-ridden obituary for himself. The next morning, the world believes he is dead. The next afternoon, he gets fired. He spends the rest of the novel going through his personal relationships as well as attending the funerals of random people around the city. 

blue book cover
Cover design by Emily Mahon

While the book has lots of fun people and a quirky plot, there were two things I really enjoyed: first, New York City. The book is dripping with the sights and sounds of the city, and it was fun; second, every once in a while, Bud or a friend would have a moment of clarity about something profound (the city or the role of news) or see the edges of some universal truth. Those were fun to read through among all the weird happenings and sarcastic remarks.

page of text

While that novel deals with an obituary writer dealing with life and visiting funerals, Johnson’s The Dead Beat deals with real-life obituary writers as well as some of the lives and deaths behind the articles. This book is such a fun read.

Dead Beat tan cover
Cover design by Milan Bozic

Some of the obituaries are absolutely brutal, some are eye-watering sweet, and they all add up to a true snapshot of humanity. The book was written almost 20 years ago, so the internet doesn’t figure in as much as it would today (and I think that is kind of refreshing). Johnson interviews obituary writers, readers, and even goes to an Obituary Writers’ Conference. I had no idea how many people read the obituary page each day. She does a good job of showing the art, humor, and humanity behind every column inch that gets published.

gray photo in a book facing a page of text

I hope you all have found some good nonfiction books this month. And I hope you have someplace to share and get others excited about your reads. Book people are the best people, and the internet is at its best wherever there is a vibrant book community.

Things to Read – Edition 0004

Since the fall of Twitter I have struggled to find a place to share links and online articles that I find interesting. I am really enjoying Mastodon though (and think it’s worth checking out if you haven’t). But now I am finding links there that I’d love to share more broadly. So I am creating small ”link round up” posts on the blog. Hope this ongoing series or posts surface some interesting news & thoughts for you.

It’s been around for more than 200 years, but the current 2026 Farmers’ Almanac will be the last. As someone who loves print I am bummed to hear this and I’m not sure what more they could have done or what all they have tried to stay afloat. I see they’ve even has a premium subscriber tier as well. So they certainly tried things. Also, the Old Farmers’ Almanac is still rolling along and jumped on the news of demise of their competitor touting their “80 percent accurate weather forecasts” which made me smile.

LitHub shared a post by murder mystery and true crime author Sarah Weinman on the importance of public libraries and the “most comprehensive, and most uncomfortable truths” that librarians make available to all.

I still haven’t seen the Broadway Books pilot being shopped around. Have any of you guys? Here is a link to the trailer and it’s been shown at a few festivals, but I can’t find it anywhere. Her is the synopsis: “In aggressively gentrifying Manhattan, a group of over-educated, under-employed bookstore workers struggle to keep their independent bookstore in business using increasingly desperate measures.” I remember the show Black Books which was fun (and very British) which took place in a bookshop as well. I’m hoping that Broadway Books is funny.

NONFICTION NOVEMBER 2025 WEEK 2

This week’s Nonfiction November festivities are being hosted over on the Volatile Rune blog, with the prompt being:

“Use this week to challenge yourself to pick a genre you wouldn’t normally read.”

Reading outside my areas of interest and comfort zone is never fun, but sometimes the discussions make it worthwhile. This one was a tough one for me, but I found two books in a category that I hardly ever read: entertainment. 

I do read a good many books about music and musicians but not many about plays movies television mainly just because I don’t watch a lot of television, movies or plays. But one of the following books came highly recommended, and one is by a favorite author of mine.

nonfiction november allen churchill covers
‘The Literary Decade’ was published in 1971 (jacket design by Janet Anderson) with ‘The Improper Bohemians’ being published earlier in 1959.

I’ve been a fan of Allen Churchill ever since reading his books, The Literary Decade (it’s an all-time favorite of mine) and his book about the birth of Greenwich Village, titled The Improper Bohemians. He was such a wonderful writer.

So, based on those two fun reads, I tracked down a copy of his 1962 book called, The Great White Way: A Re-Creation of Broadway’s Golden Era of Theatrical Entertainment. The book opens on November 12, 1900, on the corner of Broadway and 39th Street, and drops the curtain almost 20 years later with an actual funeral parade down the street mourning “how Broadway will never be the same”.

the great white way book cover nonfiction november
The 1962 edition jacket design by Vincent Torre.

The area was called ‘the great white way’ because Broadway was one of the largest installations of outdoor electric lights (replacing gas lamps) and while some of the names were familiar to me (Weber & Fields, Ziegfeld, Nat Goodwin), many of the streets and theaters are well known. I learned a lot about labor organizations and some of the driving forces behind Prohibition, which started a year after this book ends. The Great White Way was written in the 1920s so Churchill was able to interview some of the actors and theater goers from the era. Their stories added some needed humor.

What I enjoyed most were the bits about the theater owners and management. Some of those folks sound more like characters in a Raymond Chandler book than real-life people. Lots of fun. Churchill did a real good job with explaining the business side of the New York City theater business back then too. Lots of producers, directors, and actors are battling from different sides of the same coin. 

nonfiction november table of contents
The chapter titles hide the common thread of unions and labor abuses that flow between all the chapters.
photo from book
There are a few pages of photo reproductions in The Great White Way, but not near enough for my taste. A missed opportunity to have shown off all those glorious playbills!

While I am no theater buff, I am an Allen Churchill fan and I enjoyed The Great White Way.

The other book was Quentin Tarantino’s Cinema Speculation. This book, which came out in 2022, is the one that was highly recommended to me. The book is a collection of essays explaining how Tarantino’s love of movies and movie making is rooted in the 1970’s films he was exposed to from an early age (maybe too early an age?). I am not the biggest fan of Tarantino, but I did learn a lot from this book and appreciate his explanations “from behind the lens”. It was cool to understand scenes and shot sequences from someone who has thought a lot about this and read all the histories. Much of it really is an art form, but then much of it really is just crass humor trying to make a punchy and violent joke. Some of the humor was above my head.

ebook cover of Cinema Speculation
The ebook cover for ‘Cinema Speculation’. Cover design by Joanne O’Neill.

I am confident that I would’ve enjoyed Cinema Speculation ten times more if I had seen even half the movies he referenced or half the actors. I thought Tarantino did a good job of showing through films made (not just explaining) how current culture and political climates inform the movies that get made and how they are ultimately received. I did add a few movies to my “to watch” list. And whether you are a fan of Tarantino’s work or not, you have to appreciate his passion and voice which drips from every page. They did a good job letting ‘Quentin the fan’ come through on this one.

And that’s it for the second week of Nonfiction November 2025. Head on over to Volatile Rune and see what else is being talked about. I’d love to hear what nonfiction you read this year.

 

NONFICTION NOVEMBER 2025 WEEK 1

I’m a tad late this year, but the first week is hosted by Heather over at Based on a True Story, and the week’s Nonfiction November prompt:

“Celebrate your year of nonfiction. What books have you read? What were your favorites? Have you had a favorite topic? Is there a topic you want to read about more?  What are you hoping to get out of participating in Nonfiction November?”

I had a really great year of nonfiction reading. Looking back over what I read, I see that most of the books I read were either recommended to me by people I know/blogs I follow, or I stumbled upon them as they were mentioned in other books I was reading. That was something new for me this year. 

Usually, my nonfiction reading is spread out over lots of categories, and while I did read books about technology, music, politics, and philosophy, this year, I seem to have read deeper into a couple of specific topics, which was really fun.

One of the biggest categories of books I read is one I am labeling “books as resistance”.

two book covers on wood table. Nonfiction November

With the popularity of books like Books Can Save Democracy and On Book Banning, in 2025, I can tell that I’m not alone in finding ways to let books help me surf through the world we’re living in right now. There’s something fortifying, motivating, and comforting (all at the same time) when you’re holding up a physical copy of a book, pen in hand. That analog time away from screens feels nourishing for some reason. And I really enjoy thinking about how much the tech platforms hate it because they can’t track what I’m doing. They can monetize my attention. While my impact of 1 zillionth of a penny on their profits isn’t much, it still feels pretty good. 

Earlier this year, I happened upon a feature by The Pentagram Partners about Les Editions de Minuit, which was the very real secret underground book publishing operation in Nazi-occupied France. It was amazing. Jewelers turned typographers. Writers turning in coded manuscripts. Secret deadrops to get books distributed. All books that were banned by the Nazi government. It was amazing to think about.

Nonfiction November
The Pentagram Papers published the layouts of an early booklet chronicling the underground press.
Nonfiction November
The small printing presses were hidden in basements.

That same month, I happened across the chapter “Clendestine Presses 1: Moral” in Roderick Cave’s amazing The Private Press book. And sure enough, on page 97:

“Many of the editors and printers of the first resistance presses and newspapers-of Pantagruel, of La pensée libre—were caught and shot. But out of the failure of La pensée libre came a development which was to lead to the establishment of the most successful of all presses of the resistance: Les Editions de Minuit.”

A page from Cave’s The Private Press where it talks about the French underground publishers.

And it took off from there, talking about all the folks involved, including engraver/illustrator/journalist Jean Bruller. Bruller escaped Nazi Germany and came to the United States, where in 1968 the English translation of The Battle of Silence came out, with the author name of Vercors, which was his pen name during the war. It was fascinating. To think of folks valuing fiction and literature (like Faulkner, etc.) enough that they were willing to be hanged for publishing them. 

Title page from Vercors/Jean Bruller’s memoir published in the late 1960s.

Les Editions de Minuit published 25 books during the war, and more than a dozen staffers lost their lives for their efforts. After the war, Bruller and crew divided what little money was left in their publishing operation among the surviving families of the folks who died. I loved this deep dive into books, resistance, and publishing.

So there’s a recap of some of the nonfiction books I read this year. I hope you’re keeping up with Nonfiction November this year. If not, head on over to Heather’s site post and see what else is out there. And please find a place to share what you are reading, even if it’s in the comments of any of the blogs participating this month.

Books, Publishing and Birmingham